It’s a wrap

September 4, 2017
September 4, 2017 rhondapryor

It’s a wrap

Well, Sighting Memory has finished and its time to head back into the studio. The exhibition, with Sepideh Farzam at Gaffa Gallery in Sydney, was a fantastic experience. The gallery team at Gaffa are great to work with, and it was a real pleasure working with another artist who has such an affinity for cloth and feeling, and who produces such sensitive, unique work.

For those of you who were unable to make it to the gallery, you can see images of the works below. Most of these were taken by the very talented Marty Lochmann.

A Close Marriage_lr

A Close Marriage, 2017, reclaimed clothing, silks, pearl beads, thread, 203 x 110 cm. Photograph: Marty Lochmann.

A Close Marriage_detail_2_lr

A Close Marriage, detail. Photograph: Marty Lochmann.

Sighting Memory install_lr

Sighting Memory, installation view. Photograph: Marty Lochmann.

As mentioned in my previous post the exhibition focused on textiles and their ability to store and convey memory, a theme characterising both our practices.

Familial_detail_lr

Familial, (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

My framed works were representations of people and relationships close to me. Using old textiles that struck me as meaningful and memory-charged, together with thread or yarn, I stitched and abstracted ‘portraits’. The combination of Belgian linen and hand painted frames make specific reference to the tradition of portrait painting.

Verandah_detail

Verandah (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

Install_lr

A Close Marriage, and Sepideh Farzam’s Principles, 2017, fabric, vest and thread, 91 x 114 cm.

Dont Leave Me Alone_lr

Sepideh Farzam’s Don’t Leave Me Alone, 2017 (left), fabric, pullover and thread, 58 x 148 cm, and Insomnia, 2017 (right), doormat, fabric and thread, 60 x 56 x 53 cm.

Sepideh’s work concentrates on female perspectives and extensively uses hand stitching. Her amazing work, Insomnia (pictured below), is an incredible piece – sadly, my photograph doesn’t do it justice.

Insomnia_lr

Sepideh Farzam’s Insomnia.

If you’d like to be informed of upcoming exhibitions and events please get in touch via the link at the top of the page. I’d love to meet you at one of these events.

Sepideh_Rhonda_2

The artists. Photograph: Jon Johannsen.

 

 

SaveSave

SaveSave

, , , , , , ,

Leave a Reply

Your email address will not be published. Required fields are marked *